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When the teenager Mary Elizabeth Cep, a.k.a. Lola, moves with her mother and two younger twin sisters from New York to the suburb of Dellwood, New Jersey, she has the feeling that her cultural and entertaining world ended. While in school, the displaced Lola becomes close friend of the unpopular Ella, who is also a great fan of the her favorite rock band Sidarthur. However, the most popular girl in the school, Carla Santini, disputes the lead role in an adaptation of Pygmalion with Lola and also the leadership of their mates. When the last concert of Sidarthur is sold-out, Lola plans with Ella to travel to New York and buy the tickets from scalpers. However, the girls get into trouble while helping the lead singer and Lola’s idol Stu Wolf, changing their lives forever.

William Miller is a 15 year old kid, hired by Rolling Stone magazine to tour with, and write about Stillwater, an up and coming rock band. This wonderfully witty coming of age film follows William as he falls face first to confront life, love, and lingo.

Loosely based on Homer’s ‘Odyssey’ the movie deals with the grotesque adventures of Everett Ulysses McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everetts home to recover the buried loot of a bank heist they are confronted by a series of strange characters. Among them sirens, a cyclops, bankrobber George ‘Babyface’ Nelson (very annoyed by that nickname), a campaigning Governor, his opponent, a KKK lynch mob, and a blind prophet, who warns the trio that “the treasure you seek shall not be the treasure you find.”

Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. Stephanie resists Tony’s attempts to romance her, as she aspires to greater things; she is moving across the river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.

MTV junkies Beavis and Butt-head awaken one day to find their beloved TV stolen. On their adventure to do a murderous smuggler’s wife (Demi Moore), they encounter an FBI agent (Robert Stack) with a predilection for cavity searches, two rather familiar looking ex-Motley Crue roadies, Mr. Van Driessen singing “Lesbian Seagull”, a little old lady, and, of course, Mr. Anderson and his trailer. Can the Great Cornholio save the day? Let’s hope so!

Wayne is back, this time trying to organize a rock festival with help from friend Garth and the spirit of Jim Morrison (Doors). Meanwhile, his girlfriend’s manager is busy trying to woo her away from Wayne and move her to LA. Life gets interesting when Wayne must rush from the concert to try and stop the wedding. Aerosmith are featured at the concert.

The pathetically shy LV lives the life of a recluse listening to her late fathers old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to distraction. At night, however, when her father’s ghost visits, LV sings the songs of the great divas such as Judy Garland, Marilyn Monroe and Shirley Bassey. One evening LV is overheard by one of her mother’s loathsome boyfriends, the disastrous dead-end talent scout Ray Say, who recognizes her innate talent and realizes this is his last big chance for the glittering prizes. Gambling everything Ray Say forces LV to appear at a local run-down, seedy night club run by Mr. Boo. As preparations for the big event proceed apace LV meets the equally shy Billy, a pigeon-racing telephone engineer and they form a tentative, gentle friendship. The big night finally arrives and everything is in readiness the band, the club and even a big agent from London, but what about LV?

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan’s music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin’ Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won’t be classified.

Wayne is still living at home. He has a world class collection of name tags from jobs he’s tried, but he does have his own public access TV show. A local station decides to hire him and his sidekick, Garth, to do their show professionally and Wayne & Garth find that it is no longer the same. Wayne falls for a bass guitarist and uses his and Garth’s Video contacts to help her career along, knowing that Ben Oliver, the sleazy advertising guy who is ruining their show will probably take her away from him if they fail.

Based on the true story of Australian pianist David Helfgott, this delightful movie charts the early and traumatic early years. Telling the story in flashback we see David as he grows up and into a child prodigy while his father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.